LESIA UKRAINKA’S SONNET POEM AS A DYNAMIC SYSTEM

A sonnet poem, typically consisting of a thesis, an antithesis, and conclusion, is dynamic entity by its very nature. In the sonnets Lesia Ukrainka, various aspects such dynamics can be observed at both proper textual intertextual levels. At level, important role in dynamization text system primarily played numerous lexical syntactic repetitions. While tradition has long prevented use repetitions texts, experience outstanding masters, as proves that disregarding this occurs due to author’s creative approach issue.
 The figurative semantic Ukrainka’s are often initiated with first word, which further actualized through anaphoric other repeated elements. version “Fa” sonnet, highly expressive gradation rhetorical interrogative sentences, introduced second quatrain, reach their intense paradigmatic expression tercet endings. To large extent, different character intonation course, corresponding meaningful intra-dialogical unfolding literary canvas, traced compositional “The Last Song Maria Stewart”, where initial construction finds logical continuation final lines exclamatory sentence.
 “Breath Desert”, realized mostly situation, shows still another course. Based on perception poem “Khamsin”, written, way, same day (both poems belong “Spring Egypt” cycle), image free capricious wind (‘khamsin’) acquires deep meaning. Intertextual apperceptive also Bakhchysarai triptych from cycle “Crimean Memories”, undoubtedly alludes Adam Mickiewicz’s Sonnets”. However, heritage here individual: unlike generally romantic interpretation events, Ukrainka discusses affairs long-gone days her standpoint narrator ‒ contemporary new age, who interprets historical processes relation present realities.